Reflections from the House: 1928-1929

by

Adaline Pates Potter

1998


To

the memory of

LAURA M. DUNKLEE

Head of Residence Hall:

Sycamores

1915-1935


Preface  Adaline Pates Potter, known to all as Pates (pate eze) came to Mount Holyoke College from western Pennsylvania with the firm, if romantic, intention of majoring in French and joining the US Consular Service on graduation. She hastily switched to an English major when she learned that Consuls are expected to have at least a rudimentary knowledge of economics, however, she did take as many courses in government and political science as the college then offered. After graduation at the height of the “Great Depression”, she spent four years in Northampton, Massachusetts, as a governess, finishing that period with an M.A. in English from Smith College and a position in the English department at the Northfield School for Girls. At Northfield she was given permission to marry  Gordon Potter; her employment was terminated two years later, on the grounds that, as a married woman, she would be unlikely to stay in the school into an old age.

    She then returned to Smith to begin her studies for a Ph.D. in English, but after two years found more interesting a freelance career in teaching English, and editing the works of foreign refugee anti-fascists scholars who found Northampton a congenial and stimulating home. This wartime work led her to return to the Mount Holyoke English department, as a teacher of English as a foreign language and of composition. In 1960 the position of foreign student advisor was added.  She retired as ssociate Professor of English and died in 2006.

    She blamed her inability to discipline her love of telling tales on her Kentucky father and on her mother and four siblings, all of whom were passionate readers and indulgent listeners.


                                                               ****************


                                FOREWORD:  BY WAY OF EXPLANATION

Some years ago, I had two friends, sisters, who were superb weavers.  Most of their productions went to churches and cathedrals, historic houses, or private mansions, but one they kept for their own and their friends’ delight.  This was their “friendship cloth”, a large table-cloth that they used when they had very special dinners for very special guests.  It had started out as a white linen damask square with a subtle but very intricate pattern in the weave.  For a while that relationship of warp and woof was enough.  Then Vi and Bea came to see further possibilities in it; for they were also gifted embroiderers, and embroiderers find a plain surface a challenge.  So they decided to commemorate each noteworthy party by some sort of brightly colored but tiny design that would spark our memories.  Sometimes it was just a flower, perhaps the first flower of the season from the bowl on the table; sometimes, a book we had been enthusiastic about, a bird, the colors of a spectacular sunset over Gloucester Harbor -- whatever was appropriate to that particular occasion.  Each symbol was agreed on by the guests and each was dated for identification in later years.  Over time, as the embroidery increased, the cloth became almost three dimensional, though the sturdy linen base remained to give strength and background.  Eventually, of course, there was no more room and it was put away, to be brought out only when some particular evening was recalled.

This “friendship cloth” came to my mind as I began to think of writing up my memories of a year at Sycamores.  I like metaphors, and this, not quite a cliché, seems to me a useful one.  The warp, those parallel threads that give shape to the cloth, is the college itself, especially its common life, with its general character, its customs, even its frequently deplored rules.  The woof, giving strength and pattern to that year, is Sycamores, the building and its history.  The embroidery is our own group and our experiences that made ours different from every other year the house has known.

So I shall start with a brief outline of the Mount Holyoke College community of which we were only a part.  Then, I’ll turn to Sycamores, what attracted us to the house and what made it so memorable.  That will take care of the warp and woof.  It is the embroidery that really matters, a description of who we were and a sampling of what we did, both silly and serious, to stand for the whole dinner party that was Sycamores from September 1928 till June 1929.



MOUNT HOLYOKE COLLEGE:

1928-1929

In 1928:


M.H.T.” -- “Mount Holyoke Type”, a label (or libel) never used by Mount Holyoke students themselves, meant an earnest young woman in rather dogged search of the kind of education her brother was being given at Amherst as his natural male right.  It also meant that when that brother was in search of social diversion, he went across the river to Northampton, not over the mountain to South Hadley.


Mount Holyoke had only 1,000 students.


M.H.C. was so determinedly a woman’s college that only sixteen members of the faculty were male.  The college did not suffer by the exclusion:  among the women were such nationally respected figures as Emma Carr, Bertha Putnam, Amy Hewes, Ann Morgan, and Charlotte d’Evelyn.


M.H.C. students paid $900.00 for room, board, and tuition.  The room and board were confined to an assigned dormitory and included having our rooms cleaned by a college maid every other week.  It did not include the electricity used by a student-owned radio; for that, we paid extra.


The Great Depression was one year in the future.


M.H.C. was confidently authoritarian, reflecting the family structure of the day; “in loco parentis” was a perfectly acceptable term.  Nevertheless, there was an active student government, really a community government in which members of the faculty, elected by the faculty, held office as board members.  Administration influence was inevitable but minimized by that ideal of “community.”  Symbolic, perhaps, were the activities of the “Grass Cops”, appointed in the spring by S.G.A. to blow admonitory whistles at anyone setting a careless foot on the new grass:  “anyone” included any trespasser, student or faculty.  That was the year, too, when the smoking rules were changed, despite the Administration’s -- in this case Miss Woolley’s -- determined opposition.


We were an astonishingly homogenous group.  Almost all of us were middle-class and Protestant and came from east of the Rockies, and most of those, from the Atlantic coastal states north of the Mason-Dixon line.


I could go on and on and on.


****

    A returning alumna trying to find the Mount Holyoke she knew in the late ‘twenties, would see much to reassure her if she drove along College Street.  S.A.H., renamed Mary E. Woolley Hall, the Rockies, Skinner, the Mary Lyon gates, Mary Lyon itself, the libe, and Dwight have altered their front elevations so little, or so subtly, that she might even overlook the new link between the libe and what she knew as the “art building”.

Yet, back of the façade, the college has changed not only structurally but essentially, and one of those most essential changes is the student body.  As I’ve said, the student body was almost ridiculously homogeneous.

Most of us were Protestant:  Congregationalist, Presbyterian, or Methodist, although there was a sprinkling of Episcopalians and Quakers.  There were also some Roman Catholics and Jews.  Whether the Administration had a quota system for those students, admitting just so many and no more, I can’t know, but I can say that their number was not so small that they could have been called “tokens” in today’s jargon and that, once admitted, their special needs were accommodated.  In fine, they were bona fide members of the college, and treated as such.

Unhappily, I can be less certain about any non-whites.  We thought Native Americans, Japanese, Chinese, even dark-skinned Indians, exotic and would have welcomed more; yet, for African Americans, despite the defensive explanation that “they” preferred cities, I can’t imagine that there was not conscious discrimination so far as their admission was concerned.  I’ve no idea how to explain the two or three on campus during the late ‘twenties.  Trying to adjust must have been truly difficult for them; nevertheless, I never heard of anything worse than toleration, an attitude that just may be less bearable than active hostility.  Once again, they were a part of the community and accepted, by at least some, on the same terms as any other members of that body.

Most importantly, we were predominantly middle class, the daughters of lawyers, doctors, clergymen, and middle-echelon businessmen, the sort of men who had the good sense to understand why their daughters wanted to go to an unconventional woman’s college like Mount Holyoke instead of to the more usual finishing school or state university,  In other words, social or not, we were “M.H.T.’s” with all that implies of serious aims, and not aspiring debutantes or “Betty Co-Eds”; we had decided on Mount Holyoke primarily because we wanted its rigorous kind of education and only secondarily, if at all, because college might be the best way to better jobs or suitable husbands.

If all that lack of variety -- social, religious, and class -- made us parochial in outlook, it was also the basis for what I find the most distinguishing and influential characteristic of the college I knew: we were classless.  If you and your fellow students have so much common ground, you can subconsciously assume that there is similarity in everything that really matters; you don’t dwell on chance differences.  I never heard of a student’s religion being held against her, or of her family’s social position’s making the least difference to her classmates.  I know now that some came from affluent, even wealthy, families and that others had a hard time financially even before the Depression that hit most of us in our junior year.  We were aware, vaguely, that there were a good many scholarship students and that there were campus jobs filled by our classmates, but we never thought of financial aid as demeaning.  Rich or poor, we simply didn’t care.  Whatever the practice of the Admissions Office may have been, from the time a student was accepted, however set apart in some way she may have felt, she was a part of the community.  The college was its own “support group”.  Intolerant of any fragmentation into small divisions, like the Three Musketeers, we were “one for all and all for one”.

I’ve said, classless.  Not a bad thing.



INTRODUCTION

        Warnings are in order.

It all happened between September 1928 and June 1929; that was a very far-off time -- sixty-seven or sixty-eight years ago, to be specific.  Over such a period even a good memory forgets some things and embroiders others.  Moreover, by nature being a tale-teller rather than a historian, I am tempted to write little stories about that year at Sycamores, to heighten dramas, draw out scenes, attribute feelings:  to see events with logical causes and beginnings and dénouements.  To follow this natural bent would be much simpler and certainly more interesting for both writer and reader.  Unhappily, I must try to stick to what I believe to be the facts.  The facts?  My memory is generally pretty clear, but it is memory only and only my own memory.  I think, then, that the basic facts will be there, but someone else may recall the details quite differently.  And it must not be forgotten that the tale-teller is always in the picture.  A case in point is my controlling sense of the role Miss Laura Dunklee played in our Sycamore lives and, therefore, of her crucial place in these anecdotes.  We called her “Dunk” but she was Miss Dunklee, the Head of House for several years before 1928 and for at least five years after that, and it was she, with her strengths and foibles, who set the tone.  It is fashionable at Mount Holyoke to laugh at “house mothers” -- a term that was not in general use in those days and one that I think she would have scorned -- and goodness knows we did often find her funny enough, but as I look back, I realize that without her Sycamores would have been a very different and possibly, given other Heads of House I knew, a less happy place.  Sentimental, slightly old-fashioned, sometimes a rule-enforcer beyond what we thought common sense, she had set a high goal for herself:  to make Sycamores a place we would enjoy while living there and look back on fondly.  I’m sure many of the Heads of House told themselves that those were their goals, too.  Dunk, for me, succeeded.

One more warning.  Besides possibly being guilty of “personalizing” my year at Sycamores, I have to confess that I have, indeed, just plain forgotten some things.  For instance, was the mysterious tower, rumored to be the home of some sort of ghost, really opened for us on Halloween, or do I just think that some such revelation would have been appropriate?  At least one other in the group remembers something like that, but she, too, may be imagining what should  have been.  Then there is the matter of the street-car.  From the village, the tracks went down the east side of Woodbridge and continued on that side toward Amherst.  But how did they get past the park where Silver Street comes in?  I do not know.  Why don’t I recall stepping out of the house and boarding the trolley right there when we went to the movies in Holyoke?  Was I bothered or not by the noise as the car clanked by at night on ties that I do remember were famous for being badly laid?  Surely, I would sometimes have ridden to classes instead of beating my way through snow and freezing wind.  Did the street-car, then, usually end its run in the Center? I think that must be so, but I don’t remember a thing about it.

Another lost part of our life is the matter of “gentlemencallers”.  I know that some of my housemates were quite popular and that “dates” were taken for granted, but again, except for the fairly frequent visits of my roommate’s “almost -fiancé” accompanied by one or two classmates from Yale, I cannot dredge up details.

All these forgotten little matters are really trivial, but another is important.  To my astonishment I cannot for the life of me recall why my particular group chose Sycamores.  I do know that the twelve from Brigham had drawn among them two sufficiently low room-choosing numbers to be sure of getting into any dorm they wanted, and put Sycamores at the top of their lists on purpose.  But the four of us?  We, too, had a number so low that we could have gone to any of the Sophomore dorms.  Sycamores was farthest from campus of any residence hall; it was certainly not a place we had passed often enough to have formed a wish to live there.  Had one of the other two -- certainly  not my roommate or I -- had a friend among the larger group?  I really doubt that I knew enough, when the possibility of going to Sycamores came up, to choose the house for its history or its architectural distinction.  What was it that led to one of the most important decisions of our college lives?  I shall never know.



SYCAMORES:  THAT DISTINCTIVE FLAVOR

    In many ways, all dormitories are alike; sprawling imitations of private houses with common rooms on the ground floor and individual living quarters above.  The living quarters are alike, too:  bare-walled boxes furnished by the college with the barest necessities.  The Sophomore dorms of the ‘twenties and ‘thirties differed fundamentally from the norm.  With few exceptions, they really had been private houses, with the intimacy and quirkiness of the individuals who built and remodeled them.  They fringed the campus, almost more a part of the village than of the college.  Farthest away and least dormlike of all was Sycamores, still basically the house Ruggles Woodbridge had built for himself in the late 18th century.

How handsome it was, and how livable!  The two silver sycamores on the arc of the driveway out front shaded the house from the morning sun in spring and fall and, in the winter, gave an excuse for romantic clichés like “sentinel” and “guardian”.  The barrel vault and slender columns of the porch, the well-proportioned walls with their quoined angles, the generous slope of the gambrel roof with its hooded dormers, could never belong to a mere dormitory. Yet here it was, our home for some nine months, and a home we had chosen for ourselves when low room-choosing numbers allowed the choice.  Room choosing had been a stressful time for the four of us from Mead, but drawing number 14 had practically guaranteed our getting our first love:  Sycamores, of course.  It had been a little more difficult for the large group from Brigham.  College rules allowed only six to move on one number, and there were twelve of them, a problem that necessitated their division into two “crowds”, as the campus term was; however, two sufficiently low numbers combined with the general reluctance to go so far off campus had taken care of that.  Our seventeenth was Florence Gooch, who had come alone -- perhaps because of the way student waitresses were assigned to dorms; though her closest friends were in other houses, she was always considered one of us, and her loving snapshots of Sycamores under winter snows suggest that her affection for the house came to be as warm as ours, even if it was not her original reason for being there.

Of course, Sycamores has changed now, although at first sight it seems to be the same.  A casual glance is not likely to reveal that the roof, no longer shingled as in 1928, is badly in need of replacement.  Nor does the front of the house even hint at the deplorable condition of the back with its peeling paint and sagging porch ceiling.  Despite all its problems, Sycamores still looks dignified and welcoming.

Inside, the story is different.  All we can do when we return is exclaim, “ How could they?”  The paneling, original still, has come loose from neglect; the paint on the walls repeats the natural peeling of the sycamore bark, an ironic case of art imitating nature; the HL hinges on the doors are almost invisible under their layers of off-white paint; and oblong, flat “office” lights have been forced into the ceilings of at least two of those gracious rooms, a solution to a practical problem one might think only gleeful vandals would have suggested.  As for the kitchen, that generous room where we put together our breakfasts each morning and where Margaret conjured up those fabled Sycamore meals, it is now so beaver-boarded, so reduced to a jumble of forbidding corners, that I cannot even try to reproduce the original in my mind.  Even worse is the third-floor hall:  its beaver-boarded barrier has thriftily reduced the heating bill, no doubt, but it has ruined what was once a distinguished stairwell.  In other words, Sycamores was in our time one of the finest unchanged 18th-century houses in western Massachusetts; now, owing to neglect and the endemic poverty of a woman’s college, it has become potentially one of the most dilapidated.

Fortunately, it was the unspoiled, four-square house with its practical ell that we knew.  On the ground floor, to left and right of the front stairs, were the parlor, Regency in flavor, and Miss Dunklee’s spectacularly paneled room.  Back of the parlor was a student room, a double, and across the back hall from that was the dining room with its two long, white-linen covered tables.  Under the stairs there was, and still is, a lavatory.  On the second floor there were four more “doubles”, all big and light, and all with paneling, wainscoting, and fireplaces, except for the one on the northeast corner, which was perfectly plain for some reason.  A glassed-in back porch, furnished with chairs and lights, doubled for a passage to the bathrooms and kitchenette in the ell.  The four third-floor rooms, three doubles and one single, lacked fireplaces and paneling but made up for any aesthetic disappointment by slanted ceilings and romantically deep dormers; the third floor had its own bath, too, a great selling point for those who regretted the lack of decorative woodwork.

The ell was the practical, workaday part of the house.  But, besides kitchen, pantries, and bathrooms, it held the living quarters of two of the most important members of the household, Margaret and Nellie, two Irish sisters, the one the cook and the other the maid.  Margaret was gray-haired, thin, and serious; Nellie, rather a dark-haired dumpling, was friendly and cheery.  She was a little naughty, too, as I found out when Margaret informed me that some of the Gaelic expressions she taught me were unladylike, if not downright shocking.

So there we were, seventeen students and two domestics.  And Miss Dunklee, the presiding genius of the house.  She planned the meals, kept the house in order, prescribed for our toothaches, and tried to make us worthy of our house.

If Sycamores has ghosts today, I think they are not of the students I knew there, but Margaret, Nellie, and Dunk, assuming still their roles as guardians of the house.


















































“I have a garden all my own --

Shining with flowers of every hue.

I loved it dearly, when alone,

But I shall love it more, with you”!

(Thomas Moore.)


From Miss Dunklee’s Christmas Card




SYCAMORES:  THE GARDEN

        It took spring to force the garden on our notice.  Though it had been there all along, we just hadn’t paid it much attention.  Then we came back after Easter and golden forsythia banked the house and piled up on the lawn.  We were delighted when the pale yellow flowers gleamed through the white netting of a late snowfall.

Later came the daffodils, narcissus, and hyacinths in clumps at the bases of the big trees, filling the borders, escaping somehow into the wilderness beyond the grape arbor.  The arbor itself broke into full leaf, a shadowy passageway leading to nowhere.

Finally, we discovered that we had lilacs.  I recall precisely only the high hedge separating our garden from Woodbridge Street, but there must have been others, in groups or singly, like the earlier forsythia.  I was reading “modern” poetry that spring, and my head was full of Amy Lowell’s lines:


Lilacs

False blue

White

Purple

Color of lilac.


Naturally, being girls still, we did not confine our reaction to the garden to aesthetic raptures.  With its giant trees and scattered thickets, it made a perfect place for post-dinner games of hide-and-seek.  I had an advantage there; in spite of my height, I knew how to disappear so thoroughly that I was never seen till the “allie-allie-aughts in free” rang out.  Then I would appear, grinning, with a tale of having found the entrance to the secret underground-railway tunnel that we all believed in.  The truth was less romantic.  At the end of the grape arbor there was a tangle of blackberry bushes, daisies, black-eyed susans, and wild geraniums, an obvious hiding place, and the first to be searched, it would seem.   But -- it had as well a huge spread of poison ivy into which, surely, no hider would venture.  So it was never searched.  And there I crouched, confident that I was safe, for I was -- and still am -- one of the few who are immune to that particular poison.

Sycamores garden!  The last cry of “allie-allie-aughts in free” can have been heard no later than the years the A B C students occupied the house, and that was generations ago.  The lilac hedge has gone, the arbor has gone, and so have many of the trees.  Times change, and gardens with them.  But in the case of that particular garden, I can’t help wondering why.


SYCAMORES;  A STUDENT ROOM

Having chosen Sycamores for its eighteenth-century charm, we tried to furnish our rooms in the spirit of the house, at least in so far as our not very knowledgeable taste, our pocketbooks, and our comfort allowed.  I have forgotten the details of the others, but I recall our own very vividly.

We had the southwest room at the top of the stairs on the second floor, the one with its own dogleg staircase leading to a locked door on the third floor.  Although it was a corner room, it had only one outside window, for the west wall was backed by the windowed upstairs porch, which was used as a study-lounge as well as the passage to the kitchenette and the bathrooms in the ell.  Our door to this porch was locked, but the window beside it could be opened and frequently was.

As they are now, three of the walls were wainscoted.  It was the fireplace in the heavily paneled east wall that set the tone for us.  I can’t recall whether the college had closed it up somehow, but certainly the ugly beaverboard that blocks it today was not there then, for we had enough room for brick imitations of firedogs laid with small birch logs to give the illusion of usability, a paper fan at the back, and a cast-iron white angora cat sitting alertly on the rug to the left.  Only one of the closets behind the paneling was unlocked.

Both windows were curtained, of course.  In Mead we had used burnt-orange theatrical gauze, but in this Sycamores room we hung ruffled white muslin, which we were under the impression was colonial.  On the floor was Quink’s hooked gray rug with its pink roses, in addition to the homely college-issue gray-brown strip.  The two beds were set along the sides, one under the window and the other alongside the porch wall.  They were covered with our sand-colored, handmade, monkscloth spreads with slightly gathered skirts, and were, of course, strewn with the wholly modern bright pillows that were not only collegiately approved but also a practical necessity for beds that had to be used as couches for sitting.  Quite modern, too, was Quink’s wicker chair -- a case of anachronism giving way to comfort and the pocketbook.

We tried to make the double desk, again college-issue, as inconspicuous as possibly by setting it to the left of the door; at least, it didn’t strike the eye as one entered.  The only other visible piece of furniture -- for we were able to banish the chests of drawers and the shelves for books and my tea set to the closet and the stair landing -- was the small oak table that we draped with a beflowered white chintz skirt and used as a dressing table.  I don’t recall any pictures except my Gainsborough “Blue Boy” print, on the wall behind the desk, I think.

It was a really pretty room, not wholly unworthy of its old house.



A POSTSCRIPT TO BEGIN WITH

I begin with a ghost story.

In the fall of 1971 or ‘72, the Dean of Students office, faced with a shortage of rooms f